• 목록
• 답변
• 글쓰기
• 게시판 리스트 옵션
  • 수정
  • 삭제

David Fincher had an incredible challenge adapting the novel Gone Girl to film, but the opening shot is a hard one to forget. Showing what should be a loving scene between a husband and wife, star Rosamund Pike’s sudden stare into the camera and Ben Affleck’s narration put audiences on edge, warning them that the story about to unfold was anything but simple. A kidnapping, lies, and murder all led the estranged couple back to eachother, forced to decide just how willing they were to keep lying for the sake of a marriage – and public perception. Having the couple end up right back where they started from may have been a hard pill for viewers to swallow, but Fincher makes the message loud and clear, ending the movie with the exact same shot he opened on – but the audience’s opinion of the woman in frame has completely chan

"There's a directorial flourish and then there's self-parody — and Abrams promises he's easing up on his signature stylistic tic of shining lights directly into anamorphic lenses to create flares. He could explain it away in the Star Trek films ("the future is so bright!") but admits he has no excuse for Super 8. He recalled how one shot in Star Trek Into Darkness was so overrun by lens flare his wife shouted that she couldn't see Alice Eve. He made an effort to tone it down for The Force Awakens, and when he spotted his lighting crew bringing large spotlights onto the set he would joke "these aren't the flares you're looking f

It seems Disney animators never miss a chance to fill crowd scenes with iconic characters from other movies and cartoons. When King Triton assembles the underwater masses in the opening scene of The Little Mermaid , eagle-eyed viewers can spot Donald Duck, Goofy, and Mickey Mouse in the crowd. And it isn't just Disney mascots who get in on the fun, either: Kermit the Frog can be seen just a few rows behind t

James Cameron's 3D blockbuster smash may have taken audiences to an alien world, but it begins at home, in a futuristic Earth. Actually, Avatar begins in a dream sequence, with the movie’s hero Jake Sully explaining that his sleep has become filled with visions of flying ever since he was wounded in combat, opening his eyes every morning to find he's still confined to a wheelchair. His adventure on the planet Pandora piloting an artificially-grown human/Na-vi hybrid allows him to do more than fly, successfully defending the planet from his own side’s forces. The final shots of the movie mirror the beginning directly, showing Jake once again opening his eyes – this time, to a new body, a new people, and a new purpose. To take things further, the end credits are run over the exact same shots of flying as Jake's first dr

Total Recall is a simple enough story: an everyday Earthling in the not-too-distant future, Douglas Quaid, cheap steam keys|https://gamedealhq.com/ dreams of a passionate affair with a beautiful woman on the surface of Mars. So when a business offers to implant false memories for a price, Quaid decides to make his dream a reality – at least as far as his mind is concerned. The procedure goes awry, and Quaid’s false memories disappear, revealing that he really WAS a secret agent working on Mars, and the woman from his dreams wasn’t imaginary. At least, that’s what he thinks. The movie never states whether Quaid’s return to Mars really happened, and whether he succeeded in releasing air into its atmosphere, and saving its poor population. But taking a quick glance at just how closely the film’s final scene resembles Quaid’s dream, those suspecting it was simply a fantasy have even more evidence to back up their cl

He looks a bit more imposing in these images than he did in the film, where he had a vaguely elf-like appearance about him. Perhaps that was because we only saw the right side of his very pink face and none of his gargantuan alien body. It's also worth pointing out that he looks almost identical to his comic book counterpart, give or take a few deta

One of the best known Pixar Easter Eggs is the label "A113", the classroom at the California Institute of Arts where many of the company's earlier animators learned their trade. But the California locations are nothing new: in Beauty and The Beast, Maurice and Felipe find themselves lost in a terrifying forest, with a worn-out signpost offering little help. But a closer look shows arrows pointing to both Valencia, where the school is located, and Anaheim, home to Disneyl

Trading a human or animal star for a robotic one, Wall-E was a major turning point for Pixar as a whole, relying less on dialogue than ever before. Set in a future where mankind has turned Earth into one massive landfill and headed into space, Wall-E is just one maintenance robot left behind. He's put his time to good use, too, collecting dozens of trinkets and souvenirs to store in his home. When Wall-E first enters his house in the movie, one Toy Story character can be seen hidden behind a pair of bowling pins. How Rex managed to survive the man-made end of the world isn't clear, but if he survived, then it stands to reason Woody and the gang were still alive off-screen as w